How this site (and me) have changed since its inception in 2012. Loads of music has been uploaded, culminating in three short “releases”; Bucket of Tentacles (2013), Analogue (2014) and The Illicium Lure (2015). I’m very proud of what I managed to pull together as a “solo artist” since starting to learn the piano and its more than I ever really expected, but I developed a new passion, running, which I’ve gradually started sneaking into this blog. Like many things I’ve tried in life its become an all-consuming activity to the extent that there is no time for music and I unfortunately seem to have currently lost the desire. I go running, in the mud, instead and haven’t touched my piano since around April 2016.
I’ve really enjoyed blogging to this site, so I’ve been contemplating how to continue with a running theme, and have now set up an alternative blog at www.allhailthetrail.co.uk
For anyone interested in my running exploits then please have a visit and follow. Otherwise, thanks for following this blog and any comments along the way. I expect to continue uploading Bucket of Tentacles style photographs now and again and who knows, maybe some more squelchy synth noises and horror beats will re-appear.
Bucket of Tentacles is descending to the depths from where it emerged. For the moment…..
The difficult third album….. From what started as uploading a couple of sound snippets has turned into three years of music or noise uploads, loads of photos, and somehow a third EP. Here is the latest offering of tracks recorded and uploaded over the last year, this time with some extras and a couple of minor remixes. For the first time, this also includes a collaboration. Track 5 “Thalassa” features vocals written and performed by long term friend and band mate, Alistair Davies. Thanks Al!
1. Lost (Self Inflicted Desolation)
2. Fleuve Parasseux
4. Interlude (Tango)
7. Interlude (Donkey Kong)
8. Number stations
How have “the tentacles” changed since the last collection of tracks “Analogue” in July 2014….? I’ve continued piano lessons, learnt lots and hopefully added more musicality to some these tracks, certainly in Thalassa and Fleuve Parasseux. Listening back, several of the tracks contain improvised synth editing. I’ve always tried to maintain an element of improvisation on several of my tracks but listening back I have no idea how, or what I did in some of the parts. It would be unrepeatable which I think is great but also slightly frustrating!
So another year goes by, Life goes on… some tough moments at work, got married, some great experiences along the way, and a whole new passion for running. Long live the tentacles!
Get a printed copy from THE SHOP
For the copyright purists, for (nearly) the first time I’ve ‘stolen’ a couple of bits and pieces, so here are the details: –
Track 1 – A mere use of a pre-set sequence from the Arturia microbrute, bite me.
Track 3 – The very premise of this track was recording artists from the streets. I actually tried to make contact to ask permission but received no response. Some drums and beat boxing parts are recorded on an iPhone in Manchester City Centre. The radio intro/outros are pretty much all live street recordings.
Track 4 – A very short piece from a piano magazine introducing the style of tango. I enjoyed playing it so recorded it and solo’d over it!
Track 7 – The beeps and boops are recorded from me playing my 1982 Nintendo Game and Watch Donkey Kong, still working today, move over PlayStation!
Track 8 – Voices and number stations stolen from web postings on the subject. The whole track came together from listening to parts on the web and adding some random synth warblings and a beat… getting it done off the cuff.
Time to get back to the roots of this blog and get some music up! Here is my latest offering – “Fleuve Parasseux”
What’s that rubbish picture I hear you say? Its a river of course, but I have taken the liberty of inconveniencing a few electrons and altered it using the free image “glitching” website available HERE
I love that we have access to fantastic technology, but then try and mess things up so that pictures look old, retro, faded and “glitched” or produce music then distort it to make it sound like its on tape, or add record scratches etc. Why do we strive for perfection and then try and quickly get away from it?
The track itself started as a piano piece which I recorded and then developed all the other parts around it. Whilst uncharacteristically “nice” for the most part, I tried to add my own “glitch”.
New EP coming very soon including a collection of tracks from this blog, a couple of new “interludes” and an older track with new vocals all over it (not by me thankfully!)
The tale of being…… well……. messed up.
The boring stuff: A track mere days after the last one? That’s right, in stark contrast to my last effort, yesterday this was turn on the gear and GO, write/play/record and mix in a few hours. I’ve just added another track and re-mixed today, and in anti-perfectionist mode, that is how its staying. Mainly using my new Arturia Microbrute (drums on a Roland TR-8) this is lots of dirty analogue noise, and a bit of frantic energy. I have no idea why but I kept thinking of the classic 80s Sega game Space Harrier. Megadrive on ebay anyone?
Welcome to 2015.
As the malfunction spreads, the struggle intensifies to bring control back to where it truly belongs……
Link to Part 1
The title of the post says it like it is. A few sound bites to be uploaded today…. First up, a piano lesson piece I’ve been working on – Sails by Nikki Iles from the ABRSM Jazz Piano Pieces Grade 3 book. It’s a really nice relaxed piece and as per most jazz pieces from the book has a solo section, which is not my finest moment, but of course whilst the red recording light isn’t flashing the solos flow out beautifully but are lost forever (that’s my story and I’m sticking to it).
New Gear Noise
Also uploaded are a couple of off-the-cuff electronic mess-arounds. I have just become the owner of the rather fantastic Korg Volca Beats analogue drum machine (my review on Amazon HERE), so I plugged this and my Mininova synth into my computer and just went for it. Bearing in mind both of these are very new so I haven’t really had chance to understand how to use them properly, but in the interests of “just going for it”, I just went for it. One take in one go and trying to play both things at the same time whilst not really knowing how to use either is a recipe for disaster, but it was great fun anyway! 7 hypnotic minutes (for me at least whilst I was doing it). It will be great to get a proper piece recorded with these soon.
“Sounds a bit like Star Trek”
The final hammering upon the eardrums is another synth jam, again in the spirit of just going for it with no planning – it has four tracks one recorded after the other and according to Viktoria “sounds a bit like Star Trek”. So that is what it is called.
I have a “proper” piece coming which I’ve actually thought about in advance, I have a few parts recorded trying to mix the organic with the absolutely none organic and I’ll hopefully get it uploaded soon!