How this site (and me) have changed since its inception in 2012. Loads of music has been uploaded, culminating in three short “releases”; Bucket of Tentacles (2013), Analogue (2014) and The Illicium Lure (2015). I’m very proud of what I managed to pull together as a “solo artist” since starting to learn the piano and its more than I ever really expected, but I developed a new passion, running, which I’ve gradually started sneaking into this blog. Like many things I’ve tried in life its become an all-consuming activity to the extent that there is no time for music and I unfortunately seem to have currently lost the desire. I go running, in the mud, instead and haven’t touched my piano since around April 2016.
I’ve really enjoyed blogging to this site, so I’ve been contemplating how to continue with a running theme, and have now set up an alternative blog at www.allhailthetrail.co.uk
For anyone interested in my running exploits then please have a visit and follow. Otherwise, thanks for following this blog and any comments along the way. I expect to continue uploading Bucket of Tentacles style photographs now and again and who knows, maybe some more squelchy synth noises and horror beats will re-appear.
Bucket of Tentacles is descending to the depths from where it emerged. For the moment…..
Depending on which resource you consult, in Islam, Hutamah is the 7th lowest and worst level of hell reserved for the religious hypocrites. Whilst I don’t believe in hell (or heaven for that matter), I would hope that this place would be reserved for those that use these ancient texts as justification for evil and murderous plots.
Given that we are just a microscopic dot in both physical space and in the history of time I believe the universe is pretty much apathetic to the goings on of humans.
Here is a short noisy piece dedicated to Hutamah, purely on the basis it sounds a bit nasty. I took a different approach here and improvised a basic TR8 drum track with heavy on-board effects which gave some kind of weird feedback loop to it all and then just played several synth tracks over the top and just tried to trim and piece it all together at the end (which actually meant deleting most of what I’d played). So its just ended up as a bit of a noisy bodge-job, careful song writing all the way. Here it is:
Another, more planned (i.e. its been written) and much nicer track on the go, just waiting for a collaboration with some bass lines from Mat. Get on it!
The difficult third album….. From what started as uploading a couple of sound snippets has turned into three years of music or noise uploads, loads of photos, and somehow a third EP. Here is the latest offering of tracks recorded and uploaded over the last year, this time with some extras and a couple of minor remixes. For the first time, this also includes a collaboration. Track 5 “Thalassa” features vocals written and performed by long term friend and band mate, Alistair Davies. Thanks Al!
1. Lost (Self Inflicted Desolation)
2. Fleuve Parasseux
4. Interlude (Tango)
7. Interlude (Donkey Kong)
8. Number stations
How have “the tentacles” changed since the last collection of tracks “Analogue” in July 2014….? I’ve continued piano lessons, learnt lots and hopefully added more musicality to some these tracks, certainly in Thalassa and Fleuve Parasseux. Listening back, several of the tracks contain improvised synth editing. I’ve always tried to maintain an element of improvisation on several of my tracks but listening back I have no idea how, or what I did in some of the parts. It would be unrepeatable which I think is great but also slightly frustrating!
So another year goes by, Life goes on… some tough moments at work, got married, some great experiences along the way, and a whole new passion for running. Long live the tentacles!
Get a printed copy from THE SHOP
For the copyright purists, for (nearly) the first time I’ve ‘stolen’ a couple of bits and pieces, so here are the details: –
Track 1 – A mere use of a pre-set sequence from the Arturia microbrute, bite me.
Track 3 – The very premise of this track was recording artists from the streets. I actually tried to make contact to ask permission but received no response. Some drums and beat boxing parts are recorded on an iPhone in Manchester City Centre. The radio intro/outros are pretty much all live street recordings.
Track 4 – A very short piece from a piano magazine introducing the style of tango. I enjoyed playing it so recorded it and solo’d over it!
Track 7 – The beeps and boops are recorded from me playing my 1982 Nintendo Game and Watch Donkey Kong, still working today, move over PlayStation!
Track 8 – Voices and number stations stolen from web postings on the subject. The whole track came together from listening to parts on the web and adding some random synth warblings and a beat… getting it done off the cuff.
Time to get back to the roots of this blog and get some music up! Here is my latest offering – “Fleuve Parasseux”
What’s that rubbish picture I hear you say? Its a river of course, but I have taken the liberty of inconveniencing a few electrons and altered it using the free image “glitching” website available HERE
I love that we have access to fantastic technology, but then try and mess things up so that pictures look old, retro, faded and “glitched” or produce music then distort it to make it sound like its on tape, or add record scratches etc. Why do we strive for perfection and then try and quickly get away from it?
The track itself started as a piano piece which I recorded and then developed all the other parts around it. Whilst uncharacteristically “nice” for the most part, I tried to add my own “glitch”.
New EP coming very soon including a collection of tracks from this blog, a couple of new “interludes” and an older track with new vocals all over it (not by me thankfully!)
The title inspired by Morbid Angel’s Hatework, here is a very non metal track including samples of street performers around Manchester.
The geek details: I used a recording of the drunkards in The Unicorn in my last track, so I decided to do some more ‘field’ recording in the City. I used my phone to record clips of various street performers, so not great quality. The core of the track uses a couple of short loops from a live drummer in Piccadilly Gardens and then some “phat” dubstep style beat boxing recorded on Market St for the breakdown. The “radio” intro also features me, Hare Krishna chanting and buskers playing the piano and singing.
In the interests of throwing it all in, I’ve used sounds of bassoon, analogue synth (bass and lead), piano, koto, charang, organ, gang chanting plus some extra programmed drums. The whole thing was a bit of an experiment and might be a bit erratic, but hey, that’s the way I like it!
Hopefully I’ll record a couple of classical piano pieces I’ve been learning soon!
The Roland TR-8 encourages ‘performance’ control i.e. making changes and sounds to beats as you record rather than editing after, so I thought I’d try and get a quick “improv” done – here it is, just a single take of drums edited on the go and a few synth tracks unrolled over the top! I’m hoping to get some “proper” tracks up and recorded soon as well as a classical piece I’m learning in my lessons (which will be tough work!), so watch this space.