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Reload

A sudden productivity spasm, here are a couple of new tracks.  First up “Reload”, an erratic junglist noise-fest with some eastern vibes.

This was an initial try-out of the Roland JD-Xi synth, a crossover digital/analogue synth.  Almost all of the track, including drums, are played/programmed on this synth.  I even used the vocoder :o) Loving the dirty analogue vibes.

circuit

Next up is “Number Stations”.  A number station is a mysterious coded shortwave radio broadcast known to be used during World War I and through to the Cold War to send messages to agents in the field….  These broadcasts sound really sinister so that’s the vibe I went with, this was quick, play some of the number station and throw some synth/drum improvisation over it.  No icing here.

The picture? I actually hacked apart Victoria’s (old) computer, shone some green and blue lights at the circuit board and snapped away!

I have another new piece on the way, almost a proper piano track.  Building up to EP#3 me’thinks.

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Thalassa

Wave

Time off work means being able to throw some noise into the internet, so here it is.

My last “batch” of recordings were predominantly electronic-sounding so I’m trying to explore fusing some more natural parts with dirty synth. This has been slow going and only has a couple of sections, but with very limited time its been a track of bass one week, followed by the drums the next etc. I will certainly have to pull my finger out if I’m going to get a third EP out sometime in 2015…..  For the music theory dorks, I’ve been messing around with ‘passing’ chords which is a technique to move from chord to chord by adding a bit of smokey jazz into the equation. As an example, rather than jumping straight from Gm to Cm, the in-between chord is Baug with a Db bass note. I use this technique a few times on this piece.

The pic? A warped photo of northern Fuerteventura with Lobos in the background……

Also here is a basic version of Clair De Lune I have been playing in my lessons.  Whilst much “easier” than the full version, getting it to sound smooth and ‘romantic’ is another matter (especially when you’re a “metal” drummer at heart) and I’m not there yet but here it is anyway.