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Ectopic Beats

WALL

I’ve had an idea in my head for years about doing some kind of big doom metal track with crunching guitars and blast beats. I’ve finally got round to extracting the idea from brain to airwaves. Not content with keeping it straight “doom”, I’ve snuck in some 80s synth pop/rock, dark metal screaming, middle eastern twangs and some other synth warblings.

Not for the faint hearted or anyone with sensitive eardrums, here is ……. Ectopic Beats.

Techy stuff: All drums manually programmed on EZDrummer using the Drumkit from Hell kits, but I also managed to include a short section using the classic TR8 drum machine. For the first time I’ve also programmed all of the guitar lines (played through a Korg Kross) and most of the lead lines as well, using the in-built Cubase synth Halion Sonic. Its a totally different way of working and its been great to try something different and be able to change sounds after you’ve laid a part down, but then I don’t think you quite get the same vibe as “normal” recording.  Great to give it a try though, and that’s what the music is about on the site, trying out different stuff! The Arturia Microbrute also features here, leaving programming at the door, that’s just big dirty analogue sounds and live tweaking.

On other subjects, running is becoming all time-consuming now with the next few weeks dedicated to building up my fitness to achieve a 50km run at the end of March. Followed by the Manchester Marathon two weeks later. It may be my legs that end up in a bucket rather than the tentacles after that. I’m doing the run for sponsorship, so if any kind souls out there want to sponsor me, please visit my JustGiving page HERE

 

The Illicium Lure (EP#3)

The difficult third album….. From what started as uploading a couple of sound snippets has turned into three years of music or noise uploads, loads of photos, and somehow a third EP.  Here is the latest offering of tracks recorded and uploaded over the last year, this time with some extras and a couple of minor remixes.  For the first time, this also includes a collaboration. Track 5 “Thalassa” features vocals written and performed by long term friend and band mate, Alistair Davies. Thanks Al!

The Illicium Lure

1. Lost (Self Inflicted Desolation)

2. Fleuve Parasseux

3. Streetwork

4. Interlude (Tango)

5. Thalassa

6. Cenotes

7. Interlude (Donkey Kong)

8. Number stations

9. Reload

How have “the tentacles” changed since the last collection of tracks “Analogue” in July 2014….?  I’ve continued piano lessons, learnt lots and hopefully added more musicality to some these tracks, certainly in Thalassa and Fleuve Parasseux.  Listening back, several of the tracks contain improvised synth editing.  I’ve always tried to maintain an element of improvisation on several of my tracks but listening back I have no idea how, or what I did in some of the parts.  It would be unrepeatable which I think is great but also slightly frustrating!

So another year goes by, Life goes on… some tough moments at work, got married, some great experiences along the way, and a whole new passion for running. Long live the tentacles!

Get a printed copy from THE SHOP

For the copyright purists, for (nearly) the first time I’ve ‘stolen’ a couple of bits and pieces, so here are the details: –

Track 1 – A mere use of a pre-set sequence from the Arturia microbrute, bite me.
Track 3 – The very premise of this track was recording artists from the streets.  I actually tried to make contact to ask permission but received no response.  Some drums and beat boxing parts are recorded on an iPhone in Manchester City Centre.  The radio intro/outros are pretty much all live street recordings.
Track 4 – A very short piece from a piano magazine introducing the style of tango. I enjoyed playing it so recorded it and solo’d over it!
Track 7 – The beeps and boops are recorded from me playing my 1982 Nintendo Game and Watch Donkey Kong, still working today, move over PlayStation!
Track 8 – Voices and number stations stolen from web postings on the subject. The whole track came together from listening to parts on the web and adding some random synth warblings and a beat… getting it done off the cuff.

 

The Castle

I recently read an article on free-jazz .  I love “experimental” music.  Generally though, i like a mash up of styles, horrific doomy noises, a massive range of instruments and sounds – but it all needs to have some kind of rhythm, melody or theme.  Some of my favourite musicians have put out some records I’ve struggled with.  Trying to listen to a seemingly random barrage of notes and enjoy it can be quite difficult.  Sometimes, i’ve connected with it, but other times I’ve just had to give up.

For this type of music in general there seems to be two broad opinions, either: –

  • “Self-indelgent-rubbish”
  • Genius too artistic to follow any of “the rules”.

I claim to be neither but…….. music with no structure, rhythm, completely random chords/notes.  Its random improvisation right? Impossible to get wrong!!  I’ll definitely have a bit of that.

So, just for a laugh, with medieval thoughts in my mind, armed with two augmented chords, I sat down and played ….. The Castle.  I may try and pick out a few bits to take forward in future….