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Ectopic Beats

WALL

I’ve had an idea in my head for years about doing some kind of big doom metal track with crunching guitars and blast beats. I’ve finally got round to extracting the idea from brain to airwaves. Not content with keeping it straight “doom”, I’ve snuck in some 80s synth pop/rock, dark metal screaming, middle eastern twangs and some other synth warblings.

Not for the faint hearted or anyone with sensitive eardrums, here is ……. Ectopic Beats.

Techy stuff: All drums manually programmed on EZDrummer using the Drumkit from Hell kits, but I also managed to include a short section using the classic TR8 drum machine. For the first time I’ve also programmed all of the guitar lines (played through a Korg Kross) and most of the lead lines as well, using the in-built Cubase synth Halion Sonic. Its a totally different way of working and its been great to try something different and be able to change sounds after you’ve laid a part down, but then I don’t think you quite get the same vibe as “normal” recording.  Great to give it a try though, and that’s what the music is about on the site, trying out different stuff! The Arturia Microbrute also features here, leaving programming at the door, that’s just big dirty analogue sounds and live tweaking.

On other subjects, running is becoming all time-consuming now with the next few weeks dedicated to building up my fitness to achieve a 50km run at the end of March. Followed by the Manchester Marathon two weeks later. It may be my legs that end up in a bucket rather than the tentacles after that. I’m doing the run for sponsorship, so if any kind souls out there want to sponsor me, please visit my JustGiving page HERE

 

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Hutamah

Starlight

Depending on which resource you consult, in Islam, Hutamah is the 7th lowest and worst level of hell reserved for the religious hypocrites. Whilst I don’t believe in hell (or heaven for that matter), I would hope that this place would be reserved for those that use these ancient texts as justification for evil and murderous plots.

Given that we are just a microscopic dot in both physical space and in the history of time I believe the universe is pretty much apathetic to the goings on of humans.

Here is a short noisy piece dedicated to Hutamah, purely on the basis it sounds a bit nasty.  I took a different approach here and improvised a basic TR8 drum track with heavy on-board effects which gave some kind of weird feedback loop to it all and then just played several synth tracks over the top and just tried to trim and piece it all together at the end (which actually meant deleting most of what I’d played).  So its just ended up as a bit of a noisy bodge-job, careful song writing all the way.  Here it is:

Another, more planned (i.e. its been written) and much nicer track on the go, just waiting for a collaboration with some bass lines from Mat.  Get on it!

The Illicium Lure (EP#3)

The difficult third album….. From what started as uploading a couple of sound snippets has turned into three years of music or noise uploads, loads of photos, and somehow a third EP.  Here is the latest offering of tracks recorded and uploaded over the last year, this time with some extras and a couple of minor remixes.  For the first time, this also includes a collaboration. Track 5 “Thalassa” features vocals written and performed by long term friend and band mate, Alistair Davies. Thanks Al!

The Illicium Lure

1. Lost (Self Inflicted Desolation)

2. Fleuve Parasseux

3. Streetwork

4. Interlude (Tango)

5. Thalassa

6. Cenotes

7. Interlude (Donkey Kong)

8. Number stations

9. Reload

How have “the tentacles” changed since the last collection of tracks “Analogue” in July 2014….?  I’ve continued piano lessons, learnt lots and hopefully added more musicality to some these tracks, certainly in Thalassa and Fleuve Parasseux.  Listening back, several of the tracks contain improvised synth editing.  I’ve always tried to maintain an element of improvisation on several of my tracks but listening back I have no idea how, or what I did in some of the parts.  It would be unrepeatable which I think is great but also slightly frustrating!

So another year goes by, Life goes on… some tough moments at work, got married, some great experiences along the way, and a whole new passion for running. Long live the tentacles!

Get a printed copy from THE SHOP

For the copyright purists, for (nearly) the first time I’ve ‘stolen’ a couple of bits and pieces, so here are the details: –

Track 1 – A mere use of a pre-set sequence from the Arturia microbrute, bite me.
Track 3 – The very premise of this track was recording artists from the streets.  I actually tried to make contact to ask permission but received no response.  Some drums and beat boxing parts are recorded on an iPhone in Manchester City Centre.  The radio intro/outros are pretty much all live street recordings.
Track 4 – A very short piece from a piano magazine introducing the style of tango. I enjoyed playing it so recorded it and solo’d over it!
Track 7 – The beeps and boops are recorded from me playing my 1982 Nintendo Game and Watch Donkey Kong, still working today, move over PlayStation!
Track 8 – Voices and number stations stolen from web postings on the subject. The whole track came together from listening to parts on the web and adding some random synth warblings and a beat… getting it done off the cuff.

 

Fleuve Parasseux

Time to get back to the roots of this blog and get some music up! Here is my latest offering – “Fleuve Parasseux”

River

Fleuve Parasseux:

What’s that rubbish picture I hear you say?  Its a river of course, but I have taken the liberty of inconveniencing a few electrons and altered it using the free image “glitching” website available HERE

I love that we have access to fantastic technology, but then try and mess things up so that pictures look old, retro, faded and “glitched” or produce music then distort it to make it sound like its on tape, or add record scratches etc. Why do we strive for perfection and then try and quickly get away from it?

The track itself started as a piano piece which I recorded and then developed all the other parts around it.  Whilst uncharacteristically “nice” for the most part, I tried to add my own “glitch”.

New EP coming very soon including a collection of tracks from this blog, a couple of new “interludes” and an older track with new vocals all over it (not by me thankfully!)

 

Reload

A sudden productivity spasm, here are a couple of new tracks.  First up “Reload”, an erratic junglist noise-fest with some eastern vibes.

This was an initial try-out of the Roland JD-Xi synth, a crossover digital/analogue synth.  Almost all of the track, including drums, are played/programmed on this synth.  I even used the vocoder :o) Loving the dirty analogue vibes.

circuit

Next up is “Number Stations”.  A number station is a mysterious coded shortwave radio broadcast known to be used during World War I and through to the Cold War to send messages to agents in the field….  These broadcasts sound really sinister so that’s the vibe I went with, this was quick, play some of the number station and throw some synth/drum improvisation over it.  No icing here.

The picture? I actually hacked apart Victoria’s (old) computer, shone some green and blue lights at the circuit board and snapped away!

I have another new piece on the way, almost a proper piano track.  Building up to EP#3 me’thinks.

Cenotes

TR8

The Roland TR-8 encourages ‘performance’ control i.e. making changes and sounds to beats as you record rather than editing after, so I thought I’d try and get a quick “improv” done – here it is, just a single take of drums edited on the go and a few synth tracks unrolled over the top!  I’m hoping to get some “proper” tracks up and recorded soon as well as a classical piece I’m learning in my lessons (which will be tough work!), so watch this space.

Lost (S.I.D.)

TRAM2

自傷行為荒廃

The tale of being……  well……. messed up.

The boring stuff: A track mere days after the last one? That’s right, in stark contrast to my last effort, yesterday this was turn on the gear and GO, write/play/record and mix in a few hours.  I’ve just added another track and re-mixed today, and in anti-perfectionist mode, that is how its staying.  Mainly using my new Arturia Microbrute (drums on a Roland TR-8) this is lots of dirty analogue noise, and a bit of frantic energy.  I have no idea why but I kept thinking of the classic 80s Sega game Space Harrier.  Megadrive on ebay anyone?

Welcome to 2015.

ゴジラ

GD

Geek Info: Sticking with the theme of “Get the F on with it”, this is another piece developed from a very quick idea over the weekend.  Only two bits of kit used – all the synth sounds from the Novation Mininova and all drums from the …. *electronic drum roll*……. Roland TR-8.  which is a fantastic drum machine modelled on the original TR808.  I almost said “analogue drum machine” but its not – Its using the very best of modern technology to make it sound like something old.  There must be some logic in there somewhere!

I’ve also been trying to do some painting recently.  Not much time to dedicate to it, but I’ve followed a beginners book and did the classic bowl of fruit yesterday.  Following a guide really showed me how little I know about painting, but it was incredibly enjoyable.  The new “painting” area of the blog HERE